My sister is an ICU nurse, working directly with COVID-19 patients. She mentioned that a lot of wonderful people are making and donating much needed masks, but at her hospital, they also really needed scrub caps to help supplement and extent the life of disposable ones they are using.
I looked at several patterns online and even tested out a couple, but many had problems. They were too small—unable to accommodate different hairstyles; they needed elastic and/or bias tape which are both scarce due to mask making; and/or they were not well suited for bulk/quick sewing. So, I came up with my own design.
Model, I am not
This is a bouffant-style scrub cap that requires no currently scarce materials, and is a quick and easy sew. Please feel free to use this pattern for personal use or to make for the medical staff in your community. My only request is that you do not attempt to sell your caps or use them for profit.
I apologize for the poor quality of the photos below, and that I did not bother to tidy up my sewing room. I felt speed was better in this case than well-lit, edited photos and a space free of thread bunnies.
- Paper for creating pattern
- You can use taped together copy paper, brown kraft paper (or paper grocery bags), or, like I’m using below, poster board.
- 1 yard of cotton woven fabric, like a high quality quilting cotton, with little to no stretch. This amount will make at least two caps.
- Prewash in hot water to allow for any shrinkage before the caps are made, then tumble dry and iron before cutting.
- One yard of ribbon, bias tape, cording, or a tie you sew yourself (I like the flat strap method at the end of this post.)
- Cord lock (optional)
Creating the Pattern
There are only two pattern pieces. Easy peasy.
Note: I designed this pattern with a 1/4 inch seam allowance. If you prefer to use a standard 5/8, be sure to adjust your pattern.
For the first piece, the band:
- Create a rectangle 20-3/4 x 5 inches.
- Mark the center point.
For the second, the top, you’ll need a piece of paper at least 14-1/4 x 7-1/2 inches. Taped together copy paper is fine.
- Measure down one side making marks at 7-1/8 and 14-1/4 inches.
- At your 7-1/8 mark, draw a perpendicular line straight out, measuring 7-1/4 inches. This is going to be your pattern’s center point.
- Draw a curved line connecting the straight line you just made to your mark at 14-1/4 inches. Eyeballing the curve is fine.
- Cut along your curved line and fold over at the center line.
- Trace curve on other side of your paper to make symmetrical half-oval shape.
- Cut out.
- From center line measure out 1-3/4 inches to the right and make a mark along the top of the curve.
- Make a second mark 1-3/4 inches to the left of the center line. (If this is confusing, see photo of completed pattern in next step.)
- The marks you just made should be 3-1/2 inches apart and equal distance from the center line.
- Add a circle mark to the center line. You will transfer these three marks to your fabric.
Cutting Your Fabric
- Multiple layers fabric can be cut at once. I like to use a mat and ruler, with a sharp rotary cutter, but good, sharp fabric scissors will also do.
- Cut one of the circular pattern pieces (the top) on the fold, transferring marks to one layer of fabric only.
- Cut two of the rectangular pattern pieces (the band), transferring center mark to one piece of fabric only.
- Make a box pleat on top piece:
- With your circular pattern piece right side up, pinch one of the side marks you made.
- Fold inward, matching your side mark to the circle in the center.
- Repeat with other side and pin in place.
- Baste stitch within seam allowance (I’m using a dark thread so you can easily see)
- Set top piece aside and turn attention to the band pieces. With right sides together, sew short sides, joining both pieces into one large loop.
- Note: I am using a serger, but that is not necessary. However, if you do use a regular sewing machine, please be sure to finish seams by sewing them together with a zigzag or three-step zigzag on the seam allowance side of your joining stitch. This will keep the fabric from fraying as it is worn and washed.
- We are going to create a casing along one of the long edges by turning the raw edge up 1/4″ and pressing, then another 1/2″ (total of 3/4) and pressing again.
- Tip: I find it quicker to let my machine do the measuring by sewing lines at 1/4 and 3/4, then pressing up at the stitch lines.
- While you are pressing up to create the casing, find that mark you made at the center point of one piece. I put a pin there to help keep track of this spot. Once your casing is pressed, add two more pins, each about a quarter inch from that center mark. This is to signify an area that you will not sew, so that you can insert your tie into the casing.
Those guide lines work a lot better if you don’t forget that you had your needle moved away from center position. Oops!
- Starting at one pin, stitch the casing down, about 1/8 inch from the edge. Stop when you come around again and read the other pin, leaving an opening for your tie. Reinforce with some additional stitches at either side of the opening for strength. This open area will become your center back.
- Join band to top
- Align pieces so center back of the band lines up with the center of the pleat you made on the top.
- With right sides together, pin raw edges all the way around.
- Sew or serge with 1/4 inch seam allowance.
- Use a safety pin to guide tie through casing.
- To avoid tie from being pulled out with use, stitch a line though casing, catching the tie, at center front of hat.
- If your tie is a ribbon or something that may unravel, hit cut ends with fray check.
When wearing, the ends can be pulled to tighten then tied in a bow. Alternately, you can purchase cord locks like these on Amazon, to make for greater ease in adjusting.
I hope this helps! Happy sewing and thank you for doing all you can to help the medical personnel in your area.
If you have questions, please let me know in the comments below.
It’s Women’s History Month and the children’s literature community is celebrating with 31 days of posts seeking to address gender and social inequalities in our industry. Join the conversation at KidlitWomen on Facebook and by searching #KidlitWomen on Twitter.
If you have known me for any length of time, you have probably heard me tell a little story—a true story, first told to me by my dad—that I like to call The Parable of the Couch.
Many, many years ago, my parents’ had a neighbor who bought a new couch. He dragged his old one to his curb and placed a small cardboard sign upon it, marked FREE.
The couch sat outside, without so much as a single inquiry, for an entire week. The neighbor, not wanting to haul it away himself, developed a different strategy: He removed the FREE sign and replaced it with a new one—this one marked: $10.00.
Friends, someone stole his couch that very night.
Here’s a truth: When you value something, other people value it as well.
Publishing doesn’t like to talk about money—at least not out in the open—so I can link to no studies showing the gender wage disparity when it comes to school visits and speaking fees. But anecdotally, I have heard account after account of men, at similar, or even lower, career levels to their female counterparts, being paid more—often when speaking at the very same event. Could part of the problem lie with women not asking for enough?
At the time of this posting the following tweet has been shared more than 30,000 times, and liked nearly 170,000. Though its subject is design work, the principle is the same:
[Generalization Alert] Men, I love your confidence. I love that you can ask top dollar—demand top dollar—without worrying too much whether you deserve it or not. That is truly a skill, and one that doesn’t come easy to many women.
Women, stop undervaluing yourselves.
Stop feeling guilty for wanting to be paid well.
Stop standing at the curb with a FREE sign around your neck, hoping to be noticed.
You have worked extremely hard to get to where you are. You are an expert in your field. Throw your shoulders back and act like it.
ASK FOR MORE MONEY.
Approach every negotiation with the confidence of this kid.
How much more? That depends on a lot of factors, but consider saying something like the following at the negotiating stage. You may be surprised where it leads you:
Women/Non-Binary People: “My speaking fee is negotiable, but I must be paid as much as the man you had speak last year.”
While we are on the subject, male allies can lend support by saying this:
Male Allies: “I would ask that any women speaking are paid the same amount as I am.”
And since we cannot rightly look at issues of gender equality without considering intersectionality, white people, let’s all go one better:
White Allies of Any Gender: “I would ask that any people of color speaking are paid the same amount as I am.”
Let’s each place a high value on the work that we, and our industry peers, do. Let’s work together, and use what privilege we have, to raise each other up.
We are worth it.
End note: Though this essay focused mainly on women, the disparities mentioned also apply, and often to an even greater degree, to people who identify outside the gender binary. My apologies if anyone felt excluded.
It is fourth grade. A big year for you—new house, new school, new friends. Or at least new kids who mostly will be mean to you but eventually will be your friends. But don’t worry about all that right now. In fourth grade, you’ll be asked to learn lots of things. But only two of them will stick with you forever.
The first is how to dip yarn in glue and wrap it around a balloon. Let it dry. Pop the balloon. Boom. You have an ornament. This is not really helpful information to learn and you’ll never actually do it again, but you’ll always remember how. So there’s that.
The second is that your teacher will insist sneezing down your shirt is way less germ-spreading than sneezing into your elbow or your hand. This is actually helpful information and one day dozens of kids (your students, your own children) will learn the same thing from you. So thank you, Mrs. Bilbrey.
The rest of fourth grade is kind of boring frankly. Even though you’ll try to make it interesting by constantly switching BFFs each week and driving your teacher crazy with all the desk rearranging.
But then—one day—you’ll discover something that makes it interesting. A book. The Diary of Anne Frank.
You’ll discover this book in a public library because it has the word diary in the title and you love diaries and the idea that someone could publish their own book of secrets and ponderings intrigues you. And then, you’ll take it up to the check-out desk and the lady there will try to dissuade you from the book. She’ll tell you it’s a little too grown-up for you. She’ll look at your mother and they’ll have one of those conversations grown-ups have about kids in front of them like the kids can’t hear. So annoying.
But that clinches it. You have to read the book now. (This will be a pattern your whole life, really. Doing the thing people tell you not to do.)
And so, you bring it with you to school and you read it at your desk while you’re waiting on everyone else to finish their spelling or their cursive. And once you will go up to the teacher’s desk to ask her what a word in the book means but that’s bogus really. You’ve never had a problem with context clues. You only want her to see what you’re reading and be impressed. You won’t remember if she is. But you will remember that book. That girl. It will change something inside of you, shatter some bit of childhood that made you think the world was basically a kind place.
You’ll learn this year that kids have bigger problems than being teased or dodgeball or even poverty. You’ll never stop thinking about Anne Frank and kids like her. Ever. You’ll grow up and write stories about kids who survive really tough things because you just can’t get those kids out of your head, no matter how hard you try.
But that’s a long way off. It’s fourth grade for you now. So go back to it. You have some books to read. I’m not talking about those Sweet Valley High books. Just put those aside. Really. Read the other stuff, the stuff that makes you think more and tastes less like marshmallow cream.
Because that’s the stuff that will shape you into who you become to be.
“The gravity of the cannibalism, now synonymous with the Donner Party, is treated deftly, conveying Mary Ann’s visceral reactions without becoming steeped in grisly detail. As loss compounds loss, brevity and repetition…intensify key moments in a harrowing, exhausting trek.”—Publishers Weekly, starred review
The journey west by wagon train promises to be long and arduous for nineteen-year-old Mary Ann Graves and her parents and eight siblings. But she is hopeful about their new life in California, and the possibility of freedom from family demands that she aches for.
But when winter comes early to the Sierra Nevada, the Graves family, traveling alongside the Donner and Reed families, experiences one of the most harrowing, tragic, and storied journeys in American history.
Amid the pain of loss and the constant threats of freezing temperatures and meager supplies, Mary Ann learns what it means to be part of a family, to make sacrifices for those we love, and, above all, to persevere. To Stay Alive is a moving narrative told from the viewpoint of one of the survivors of the ill-fated Donner Party of 1846.
Find To Stay Alive on IndieBound, Amazon, and Barnes & Noble or ask for it in libraries and bookstores near you.
Find more Hey Kid! letters here.
|Skila Brown is the author of verse novels Caminar and To Stay Alive, as well as the picture book Slickety Quick: Poems About Sharks, all with Candlewick Press. She received an MFA from Vermont College of Fine Arts. She grew up in Kentucky and Tennessee and now lives in Indiana where she writes books for readers of all ages. |
Connect with Skila on skilabrown.com.
I haven’t done a lot of cover reveals here, but when my friends Kiersi Burkhart and Amber Keyser contacted me to see if I would like to host a reveal for one of the titles in their Quartz Creek Ranch series, I nearly broke my capslock emailing back an emphatic YESSSSS. These are just the books middle-grade me would have loved: awesome girl main characters and horses. But don’t just take eleven-year-old me’s word for it. Find out for yourself, early, by winning an advance copy! Details at the end of this post.
Quartz Creek Ranch: Shy Girl & Shy Guy
For every kid, there’s a horse that can help. At least, that’s the idea at Quartz Creek Ranch. But Hanna doubts it will be true for her. Going to Quartz Creek was her mother’s idea; Hanna’s too terrified of horses to even go near them.
Then Hanna meets Shy Guy, a gray gelding who’s just as afraid of people as she is of horses. Of all people, Hanna is the one Shy Guy begins to trust, revealing his grace and skill in the arena. But when Shy Guy’s mysterious past comes to light, everything they’ve worked for starts slipping away. Can Shy Guy’s confidence in Hanna give her the self-confidence she needs to save him?
Preorder Shy Girl & Shy Guy, as well as any of the other Quartz Creek Ranch novels, on B&N and Amazon, or at your local indie thorough IndieBound.
Add Shy Girl & Shy Guy to your Goodreads shelf.
Here’s what Kiersi Burkhart has to say about this wonderful book and its cover:
Last week, we unveiled the cover for ONE BRAVE SUMMER, one of the other four Quartz Creek Ranch novels, over at Pop! Goes the Reader. Go take a look if you haven’t seen it yet—we are so pleased with the design of all these books!
Before Quartz Creek Ranch, I had never tried “co-writing” with someone before. It’s been such a privilege and a pleasure working with Amber! We’ve become more than just writers-in-arms; we’re close friends, sisters, partners in crime, and sometimes we even mom each other a little.
We both rode horses in our childhood, so most of our story ideas grew out of that shared history. But each book in the Quartz Creek Ranch series started with a seed of an idea that was unique and special to one of us.
Shy Girl & Shy Guy, in particular, is one of those very personal stories for me.
Shy Guy is a beautiful dapple grey who was abandoned by his owner, and finds his way to Quartz Creek Ranch. His fearful behavior leads the knowledgeable horse people at the ranch to believe he’s been abused. The main character, Hanna, is tasked with his rehabilitation.
This isn’t far from an experience I had when I was about Hanna’s age—probably eleven or twelve. I was volunteering at a neighborhood barn when I met Spring.
Her owner had grazed her on the barn’s property, then disappeared. I’m sure that abandonment was a big part of her dislike and fear of humans. Deep down, Spring was a gentle soul. Her people meant a lot to her.
Nobody else at the barn had the time to work with a horse who had spent years left out in a field. Her hooves had become long and curly, and her disposition had grown less and less inclined toward people.
I cared for her every day—brushing her, feeding her, socializing her to barn life so we could trim her long hooves back and work off the massive belly she’d gained from grazing all day. It wasn’t long before she warmed up to me and I could start exercising her again.
Spring was the best trail horse a girl could ask for. Calm, sweet, and mild-mannered, she still knew how to run when I wanted to run. Spring taught me an incredible amount about horsemanship, about compassion, and about the way that hurt leaves its mark on all of us. Especially, though, how hurt can be healed with love and patience.
Once I had rehabilitated Spring enough that any intermediate rider could take her out on the trail, the barn owner waited until I was gone for a few days… and sold her.
I had no opportunity to say goodbye.
Shy Girl & Shy Guy is the book I wrote for Spring. Our story wasn’t nearly so dramatic as Shy Guy and Hanna’s story, of course. But Spring was the horse that taught me I could accomplish the things I set out to do; who taught me that no horse was ever a “lost cause.” In the years following, I acquired another horse that had been neglected and misunderstood—a horse who eventually became the best barrel racer I’ve ever met.
Though Hanna and I don’t have a lot in common in terms of our personality or life story, when I look at the girl on the cover of this book, I feel an intense pang of understanding. I know what the look on her face means. It’s the look you give a horse who has changed your life. Darby Creek did such an incredible job with this cover that I cried when I saw it for the first time.
I hope you like it just as much as I do.
GIVEAWAY: Enter to win an ARC of Shy Girl & Shy Guy by commenting on this post. I’ll choose a winner on Tuesday, October 18 at 8am Pacific. (U.S. only, please.)
|Kiersi Burkhart grew up riding horses on the Colorado Front Range. At sixteen, she attended Lewis & Clark College in Portland and spent her young adult years in beautiful Oregon — until she discovered her sense of adventure was calling her elsewhere. Now she travels around with her best friend, a mutt named Baby, writing fiction for children of all ages. |
Connect with Kiersi on kiersi.com, @kiersi on Twitter, and on Facebook.
|Amber J. Keyser is happiest when she is in the wilderness with her family. Lucky for her, the rivers and forests of Central Oregon let her paddle, hike, ski, and ride horses right outside her front door. When she isn’t adventuring, Amber writes fiction and nonfiction for young readers and goes running with her dog, Gilda |
Connect with Amber on amberjkeyser.com, @amberjkeyser on Twitter, and on Facebook.
It’s publication day for Giraffes Ruin Everything!
I’m so grateful for everyone involved with this book: illustrator extraordinaire Chris Robertson, my agent, Brooks Sherman, editor Mary Kate Castellani, publicist Lizzy Mason, and everyone at Bloomsbury Kids, and to all my fellow giraffe suspicioners out there. Thank you!
Here’s what people are saying about the book:
“Giraffes really do ruin everything. … A young child learns to navigate the nuances of social relationships, with help from a spotted, lanky friend.” —Kirkus
“In an age where hurling accusations about someone else’s shortcomings has become something of a social norm, this is a gentle but firm reminder that patience and understanding have their rewards.” —Publisher’s Weekly
“What starts off as a story about how awful being friends with a giraffe can be turns into a heartwarming lesson of learning to understand and accept friends as they are.” —School Library Journal
“The full page, brightly colored illustrations complement the text perfectly and are very engaging. Young readers, especially animal lovers, will want to read this book.” —School Library Connection
Find Giraffes Ruin Everything on IndieBound, Barnes & Noble, Amazon, Bloomsbury Publishing or at bookstores and libraries near you.
I’d love to have you celebrate with me! I’ll be ruining the following locations. Details are on my events page. Hope to see you!
You know all that reading you love to do? Exploring the shelves of the library on your own and randomly choosing things that appeal? Keep doing it.
Also, those stories you like writing, and that diary you’re putting all your thoughts and feelings into are very good uses of your time.
Both will really pay off for you, though I don’t want to spoil the surprise.
In fact, you’re about to get into an even more productive writing phase once you find that poetry book on mom’s shelf. I don’t have a lot of advice there, because you do a good job with it. Mainly I want to thank you for what you’re doing. Thanks for keeping it all up. For experimenting and showing people what you write. For taking it all very seriously.
Middle school is actually a pretty great time for you, kiddo, so I don’t have a ton to say in that department, either. Only that maybe you can spend a little less mental energy focused on boys. And assure you that the major friend heartbreak you’re about to suffer will turn out to be a very good thing. It’s gonna hurt like hell, but trust me; it takes a long time to straighten out, but when it does it’s fantastic. In general you’ll have wonderful friends—keep having a blast with them—and terrific fun with clothes. I still wish we had some of the stuff you picked out then.
I know there’s a lot of pressure on you right now at home. You’re shouldering a lot, and will have shoulder even more, I’m afraid. It isn’t fair. It will cause us some problems later in our grownup life, I hate to say. But it’s also part of who we become and that has turned out, so far, pretty awesome in spite of hardship, so I don’t really know what to tell you about it. Only that I, and lots of other grownups around me now all know (including Dad) that you never should have been put in that position.
Whatever bad decisions the grownups around you made—they aren’t your fault. Okay? I know you don’t even feel that right now in a conscious way, so this may seem a little heavy, but keep that sentiment in your heart for when you need it.
Meanwhile, keep dancing your bootie off at every opportunity, keep laughing wildly in the halls, and coordinating all your friends for parties and hangouts. Keep babysitting (though maybe save that money instead of immediately spending it on clothes). Keep reading, and above all keep writing it down.
Just keep being you, kid, and we’re gonna turn out fine.
Future Terra Elan
In this heartwarming companion to Drive Me Crazy, twelve-year-old Fiona Coppleton is living a middle schooler’s worst nightmare: her diary was made public and her best friend is partly to blame.
Fiona and Cassie are supposed to be best friends forever. No one else listens or makes Fiona laugh like Cassie, and that meant everything when Fiona’s parents were divorcing. They love each other in spite of their (many) differences, and even though Cassie cares a little too much about being popular, Fiona can’t imagine life without her.
Until Fiona’s diary is stolen by the most popular girls at school, and her most secret thoughts are read out loud on the bus. Even worse: Cassie was there, and she didn’t do anything to stop it. Now, for some reason, she’s ignoring Fiona. Suddenly the whole world has shifted.
Life without a best friend is confusing, scary, maybe impossible. But as Fiona navigates a summer of big changes, she learns more about herself—and friendship—than she ever thought possible.
Find This is All Your Fault, Cassie Parker at all the usual online places, including IndieBound and B&N, or ask for it at libraries and bookstores near you!
Find more Hey Kid! letters here.
|Terra Elan McVoy is a MG and YA author, an independent bookseller, a Fluevog shoe collector, and a banana cream pie maker. Not always in that order. She lives in Atlanta, GA with a guy who plays theremin on a regular basis. |
Connect with Terra on TerraElan.com Facebook, Twitter: @TerraMcVoy, and Instagram.
Dear Ten-Year-Old Tricia,
A letter from the next century! Shock-er-oo, right? Before you read this, here’s what you need to do. Tiptoe into your bedroom, lock the door and pray that the barbarians (those four younger siblings) don’t start banging on it. Privacy! I remember how impossible it was to get any in that crowded little house. I remember daydreaming about living on a houseboat, or a ranch out west, or in a peaceful convent.
Next, clear a space on your bed among the books, stuffed animals, books, homework, and books. Lie down. This letter bears astonishing news. Tricia, you’re not going to grow up to be a sailor, rancher or nun. You’re going to be a writer.
It’s too weird, right? Much as you love stories (another way to escape into a private world), you could not care less who wrote them. For you, a good book is like one of those crazy-beautiful mushrooms that pops up after a rainy night. Where did it come from? Who cares? The story itself is all that matters—the characters and what happens to them. You turn the pages as quick as you can, never stopping to reflect that someone, somewhere, made this all up. That thought’s almost insulting. Books feel true and real as life itself, only better. If you thought at all about the writer, you’d have to put Her or Him on a par with God.
But wait. This year your teacher is Mrs. Minot. She has dandruff and coffee-breath and always looks tired, like most teachers, but she seems to trust kids, which is different. At the end of the day, when she actually gives you free time, you usually read, but one day you decide to try to something. You’ve just read Ballet for Julia, where a messy, clumsy girl goes to live with her crotchety old aunt. Julia discovers she’s really a graceful, beautiful ballerina. For some reason, you start to write Ballet for Adelaide, more or less the same exact story with a few name changes. What makes you do that, Tricia? All these years later, I have no answer. But I still remember my heart thrumming as the words spilled out onto the paper. “What are you doing?” Mrs. Minot asked, breathing her coffee breath upon me. And when I told her, “Maybe you’ll be a writer someday”, she said.
Guess what? More than fifty (!!) years later, when you have forgotten many, many other things, you will still remember that.
An archeologist. A teacher. A Russian translator. A gardener on an English estate. You’re going to have a gazillion ideas about who you might be. A professional dog walker. A librarian. Oh Tricia, the world is so full of a number of things, we should all be as happy as kings! And mostly you will be. Mostly, your life is going to be so lucky. Those brutish barbarians who will soon be banging on the bedroom door? They’re going to become your best friends—it’s true, I swear. You’ll have other teachers as kind and perceptive as Mrs. Minot. You’ll travel a little bit for real, and a lot in your imagination, and you’ll fall in disastrous love a few times till at last you get it right and marry—a teacher! Who will, one morning, lean close and breathe his toothpaste breath upon you, saying, “I think you should write. Seriously.”
And this time, you will think, Yes.
That everything happening to you now, all the books you’re reading, wishes you’re wishing, prayers you’re praying, bonds you’re forming and breaking, fears you’re facing and dreams you’re chasing—that all those things will one day turn into stories, don’t think about it. Not now. That writing is as much craft as art, and you will need to work crazy hard before you succeed—don’t worry about it now.
For now, just be ten. Lie on that bed, cuddle your stuffed poodle, watch the breeze lift the pink rosebud curtains. Wiggle your toes, and pick up one of the books strewn all over your room. Don’t think about who wrote that book. Just step inside it and make it yours, as only a lucky ten-year-old can.
Unsinkable Cody and deep-thinker best friend Spencer are back in this sequel to last year’s “Cody and the Fountain of Happiness”. The adventures continue as they tangle with the Meen Family next door. Cody puzzles over friendship, how to be patient, the baton of love, and other mysteries in this funny, cozy story set in a lively, diverse neighborhood. School Library Connection says, “Readers of all ages will readily relate to Cody and the characters around her. This book is perfect for young readers ready to move on from beginning books and early readers.” Once again illustrated by that genius, Eliza Wheeler!
Find Cody and the Mysteries of the Universe on IndieBound and B&N, get personalized copies on triciaspringstubb.com, or ask for it in bookstores and libraries near you.
Find more Hey Kid! letters here.
|Tricia Springstubb is the author of books for kids of all ages, including the award-winning middle grade novels What Happened on Fox Street and Moonpenny Island. Her other new book this year is Every Single Second, coming in June from HarperCollins. Yes, she continues to be very lucky and very grateful!|
Connect with Tricia on triciaspringstubb.com, Twitter: @springstubb, and Pinterest.
Dear twelve-year-old Alison,
When I look back at you from the distant future, I see you playing with your two best friends at recess. Two years ago, you made up an amazing, complicated game, “All News Channel,” in which the three of you are investigative reporters who run around solving mysteries. You play the news anchors. You play the interviewees. You play the sports reporters and the weather forecasters and even the commercial actors, who sell all kinds of silly, useless things that make you laugh. It’s an all-consuming game, and it never gets boring or repetitive, because you and Lauren and Emi have an endless capacity for imagination. You kind of feel like it could go on forever.
Unfortunately, it won’t. Because pretty soon, people are going to start thinking you’re too old to play.
In a few months, you’ll overhear your parents saying your imaginary games are childish, that you act younger than your age. They don’t feel childish to you, but the comment will sting, and it’ll plant seeds of doubt in your mind. Soon after that, Lauren will start spending recess at the picnic table with the new girl in your class, who wears ripped flannel and lots of eyeliner, and the guy who inexplicably has hundreds of safety pins attached to his weather-inappropriate trench coat. Emi will get really into popular music, and you’ll feign interest when she rambles on and on about the lead singer of the Red Hot Chili Peppers. You’ll let “All News Channel” go, and you’ll start playing Four Square at recess with the other girls in your class instead.
You’ll still have fun, but it won’t be the same. You’ll miss your game, and you’ll wish you still had an excuse to use your imagination every day. But you won’t say anything, because you don’t want to be seen as childish.
But here’s something nobody will tell you for a long time, little Alison: there’s a big difference between being childish and being childlike. Having an imagination and a capacity for wonder will serve you very well throughout your life, and you should hang onto those qualities with everything you have. They’ll make you an interesting, fun grown-up who delights in things that are different, absurd, and unexpected. They’ll ensure that you keep an open mind. And they’ll give you the skills you need to be an author who writes for kids like you.
And guess what? When you start writing books, you’ll find tons of other adults who hung onto those childlike qualities, too. They’ll become your best friends, and you’ll stay up late into the night having conversations full of “what if” questions. You’ll even get to write collaborative books with some of them, which will mean spending all day every day making up stories about the people who live inside your collective brains. It’ll be like an endless game of All News Channel, and people will pay you for it.
So it’s okay to grieve when your game ends. But you don’t need to worry that you’ll never get to play again. You’re only taking a break.
P.S. Curly hair looks better if you don’t brush it.
Twelve-year-old AJ dreads spending an entire month living with her strict Grandma Jo. Not only does her grandmother dictate how she walks, what she eats, and which rooms she can enter, she fills all AJ’s free time with boring sewing lessons. Grandma Jo wants nothing more than to transform her adventurous, fun-loving granddaughter into a prim and proper lady.
But AJ’s dull summer takes a sharp turn when she discovers that her grandmother’s “bridge group” is actually a heist club. When Grandma Jo offers to let AJ learn lock-picking instead of embroidery in exchange for help with a few capers, AJ is happy to join her grandmother’s madcap band of thieves, who claim to steal only for ethical reasons. But even the most respectable ladies can hide truly surprising secrets, and AJ finds she must decide for herself what it means to be one of the good guys.
Find The Classy Crooks Club on Indiebound, B&N, and Amazon, or ask for it in bookstores and libraries near you.
Read more Hey Kid! letters here.
|Alison Cherry is the author of the young adult novels Red, For Real, and the upcoming Look Both Ways. She is a professional photographer and spent many years working as a lighting designer for theater, opera, and dance. She lives in Brooklyn, NY. |
Connect with Alison on AlisonCherryBooks.com, Twitter and Instagram (@alison_cherry), and Goodreads.
Yeah, you. The one coming out of the library with that…eclectic stack of books. I know the high school girl who checked those books out to you is now running around to all her co-workers, showing them what you checked out, laughing at you.
So what? Why do you care what anyone thinks of your choice of reading material?
Let’s see what you’ve got there:
-Two Nancy Drew books. Yes, you’re still a huge fan at age 12. You’re a little embarrassed by that because no one else your age reads Nancy Drew, but why shouldn’t you read what you love?
–Foster Child by Marion Dane Bauer. You’ve already read that (and Shelter From the Wind), but you want to read it again. You know that Marion Dane Bauer lives in Minnesota just like you! You fantasize about meeting her (or any author). She gives you hope that a girl from southern Minnesota can grow up to become an author.
–Forever by Judy Blume. The girls at school are passing a copy of that book around, but you’re too shy to ask for a turn. So you checked out your own copy.
–Wuthering Heights by Emily Bronte. You like the title. And the cover. You know it’s a classic and you feel like you should read the classics because that’s what people who want to be authors read.
– The Exorcist by William Peter Blatty. You aren’t sure about that book, but your best friend is reading it, so you want to read it, too.
How do I know all that? Because I’m you! Thirty eight years from now!
I want to talk to you about just happened. I know this feels like a Big Deal. You just got laughed at in the library, your favorite place in the whole world, and you don’t know if you’ll ever get over it. (You will.)
Let me tell you a couple other things that might help you feel better:
- You’re not only going to meet Marion Dane Bauer, you’re going take a class from her when you grow up! She’ll read part of your second novel and offer you feedback. That book won’t ever get published, but that’s okay. You’ll learn a lot from writing it and you’ll apply what you learn to every book you write after that.
- You’re going to have that high school girl’s job one day. Yes, really. She’ll graduate and move away and you’ll never see her again. And the other people who work here are never going to remember laughing at you today. Pay attention to what it feels like to work for someone else because that may be the only time in your life that you’ll ever do that.
- You WILL become an author! I won’t lie—it’ll take a while to sell that first book. Eight years, to be exact. And even after you’ve sold five books, you’ll still feel like you’re not where you want to be…because those books won’t be novels. You’ll think seriously about quitting and becoming a midwife or a librarian instead. The idea of giving up your writing career will make you feel sick. Which is good because less than a year after you seriously consider this, you’re going to sell not one, but two novels! You’ll sell them to two different publishers within days of one another.
- I know the library doesn’t feel like a safe place to you now. You’ll return that stack of books and then you won’t come back for a while. You’ll go your school library instead, even though the librarian, Miss Kindstrom (don’t ever call her Blanche!), yells! And she knows your mother.
But you’ll come back. When you’re working here in high school, you’ll stay in the library by yourself after its closed and you’ll write. Yes, you’ll get caught. (Don’t worry, that won’t turn out as bad as you think it will.)
There’s something about the library that’s in your soul. You walk into a library and you feel things that other people don’t. That won’t ever go away. When you grow up, you’ll check out the library before you move to a new community. That will tell you everything you need to know about whether or not you want to live there. Some of your best friends will be librarians. You’ll be proud to know them because you’ll see what an impact they have on your community. You’ll join the Friends of the Library and eventually, the library board.
And one day, when one of your own books is among the most challenged books in the country, you’ll appreciate the library on a whole new level.
By the way, you’re NEVER going read the Exorcist. It’s not your kind of book. Why not put it in the book drop right now rather than haul it all the way home?
Oh, and get your mom to take some pictures of you reading. You don’t like it when your mom takes pictures, but one day, it’ll bug you that this is the only picture anyone ever took of you reading a book when you were a kid:
Okay, I’ve got to run. See you in the library! The Haunted Library, that is. I know you have no idea what I’m talking about. But you will…
The Haunted Library is about a ghost boy and a solid girl who work together to solve ghostly mysteries and find the ghost’s missing family. #7: The Ghost in the Tree House (Grosset & Dunlap) just came out on March 29, 2016.
A group of girls in Claire’s town have noticed strange sights and sounds coming from the tree house where their club meets. Is it a rival boys’ club trying to scare them away? Or is it a ghost? The girls ask Claire to tackle the mystery—and Kaz hopes to finally find the rest of his missing family members!
Look for The Ghost in the Tree House, and all The Haunted Library books on Indiebound, Amazon, B&N, and Seattle Mystery or ask for it in bookstores and libraries near you.
Find more Hey Kid! letters here.
Photo by Cheryl Fusco Johnson
Dori Hillestad Butler is an award-winning author of more than 50 books for young readers, including the Haunted Library series. Her Buddy Files #1: Case of the Lost Boy won the 2011 Edgar Award for best juvenile mystery. She’s been an active library volunteer, therapy dog partner, and mentor to many young writers. She grew up in southern Minnesota, spent 19 years in Iowa, and now lives in the Seattle area.
Connect with Dori at kidswriter.com, on Facebook, and on Twitter.
Guess what? I have the BEST NEWS EVER! Here it is: You’re going to grow up to be a writer. TRUE FACT. You are going to write all the books that you ever wanted to read. It doesn’t get any cooler than that. Am I right? And hey, you know that Scholastic book catalogue that comes out once a month and appears on your desk like magic? YOUR books will be in that catalogue one day and kids just like you are going to buy them. If your mind is not blown by this, then I don’t even know you.
But I do know you! I know you, because you are me.
This is weird, right? Right.
Mostly what I want to do is just reach through time to you and give you a hug, which you would find creepy and terrible and afterwards you’d immediately retreat to your reading nook, AKA your bedroom closet, which is devoid of clothes but has a nice lamp and some pillows and blankets and a fantastic stack of books. I don’t blame you. If my closet wasn’t such a mess – it turns out that once you grow up, you stay largely the same size forever, so “growing out of your clothes” isn’t actually a thing any more – if there was any room in there whatsoever, I might be tempted to do the same thing. My bedroom is in the attic now and it is very similar to sleeping in the closet, except there are skylights so that I can lie awake – I still sometimes can’t sleep – and look at the stars and think about everything everything everything. Just like you.
Sometimes this “everything” is more interesting than others. A lot of times, it’s the same as your everything: Is this tooth pain a cavity? Will I die at the dentist from a severe allergic reaction to flouride? What if one day, I’m walking too close to the edge of a cliff and I trip on my shoelace and next thing you know, I’m falling? WHAT THEN?
I mean, we both know what insomnia is like. It’s basically the meanest of all the mean girls.
But a lot of times now when I can’t sleep, instead of worrying about dying, I can think, “What would my character do if she was on a boat and suddenly, a humpback whale breached and the boat split in two?” (That’s what I’m working on right now. Don’t tell anyone.) Anyway, it turns out that your love for the oceans will play a big part in your books later and boy, is it going to matter a lot to the world that there are people who are passionate about saving the oceans. They’re a mess. You won’t even believe what terrible things we do to them in-between you being you and you becoming me. So keep trying to save everything. Everything is going to need to be saved like you wouldn’t believe.
Now listen: A few months ago, something really bad and very scary happened in your family, and the aftershock of that is that you’re going to have to change schools and start over in only a couple of short months from when this photo is being taken. This is going to be harder than you think, no lie. I wish I could make you ready, but the truth is, if I had to do that kind of “starting over”, even today, I’d do pretty much what you are going to do, which is to hide very far inside the covers of a thousand books. I was going to give you advice, like “Come out of your shell! Don’t be so shy! Smile at people!” But I’ve changed my mind because all that reading is going to pay off in the end. You will never regret a single book that you’ll ever read except for Thinner, because you’ll never be able to eat strawberry pie again after that. And you’re going to be OK. You’re going to make some great friends, who will still be your friends thirty years later, and you’re going to survive every single thing that you think you’re not going to survive. No one ever died of embarrassment, that’s the truth.
Listen up: I love you. You’re great. You’re funny and smart and interesting. And eventually, you’ll figure out how to dress nicely and do your hair like everyone else. I feel lucky to have known you. I feel lucky to have been you, no matter how skinny and awkward and poorly dressed you think you are. Seriously, it never matters what you’re wearing as long as you wear it like you mean it. No apologies.
If I were to give you one piece of advice, it would be this: Be brave and kind. That’s pretty much all there is to it. Take it all on with courage. And be nice when you do it. Simple, right?
Oh, there are two more pieces of advice that I’d like to give, seeing as I have this opportunity. The first is this: Never Google your symptoms. Right now, the word “Google” sounds like something I made up, but believe me, you’re going to know what it is one day, and the temptation to enter all your unusual health concerns into the search bar will be overwhelming. Do NOT do this.
The second is to travel, whenever and wherever you can. Travel is like reading in three-dimensions. It’s scary to go out of your comfort zone, but you’re brave, remember? Don’t say ‘no’ to adventures. It will be worth it, swearsies.
Be brave and happy, kiddo. You’re going to be just fine.
Longing to be one of the popular girls in her new town, Kammie Summers has fallen into a well during a (fake) initiation into their club. Now Kammie’s trapped in the dark, counting the hours, waiting to be rescued. (The Girls have gone for help, haven’t they?)
As hours pass, Kammie’s real-life predicament mixes with memories of the best and worst moments of her life so far, including the awful reasons her family moved to this new town in the first place. And as she begins to feel hungry and thirsty and light-headed, Kammie starts to imagine she has company, including a French-speaking coyote and goats that just might be zombies.
Karen Rivers has created a unique narrator with an authentic, sympathetic, sharp, funny voice who will have readers laughing and crying and laugh-crying over the course of physically and emotionally suspenseful, utterly believable events.
The Girl in the Well is Me can be found on Indiebound, B&N, and Amazon, or ask for it at bookstores and libraries near you.
Find more Hey Kid! letters here.
|Karen Rivers absolutely loves writing books told from the point of view of kids and teens. She lives in Victoria, British Columbia, Canada, with her own kids, whose ideas she tries not to steal too often. She has two dogs, two birds, and two kids, because if one of something is good, then two of something must be twice as good. She is the author of nineteen novels. Her forthcoming books are THE GIRL IN THE WELL IS ME (Spring 2016/Algonquin Books For Young Readers) and BEFORE WE GO EXTINCT (June 2106/FSG). More information about Karen can be found at her website at karenrivers.com. You can follow her on Twitter (@karenrivers) or Facebook. |